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Wednesday, July 2 • 16:30 - 17:30

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Separation: Short Range Repulsion. Implementation of an automated aesthetic synchronization system for a dance performance.
Michael Krzyzaniak, Julie Akerly, Matthew Mosher, Muharrem Yildirim
School of Arts, Media + Engineering, Arizona State University

Notation, mapping and composition for the Karlax
Tom Mays and Francis Faber
Académie Supérieur de Musique de Strasbourg, La Grande Fabrique

The Cave of Sounds: An interactive installation exploring how we create music together

Tim Murray-Browne, Dom Aversano, Susanna Garcia, Wallace Hobbes, Daniel Lopez, Tadeo Sendon, Panagiotis Tigas, Kacper Ziemianin, Duncan Chapman
Queen Mary University of London, Music Hackspace, Sound and Music

OSC-Namespace and OSC-State: schemata for describing the namespace and state of OSC-enabled systems

Ilias Bergstrom and Joan Llobera
Fondation Agalm, EventLAB, Universitat de Barcelona, Immersive Interaction Group, École Polytechnique Fédérale de Lausanne

Chronicles of a Robotic Musical Companion

Mason Bretan and Gil Weinberg
Georgia Institute of Technology

Structure-borne Sound and Aurally Active Spaces

Otso Lähdeoja
University of the Arts, Helsinki

TouchNoise: A Particle-based Multitouch Noise Modulation Interface

Axel Berndt, Nadia Al-Kassab, Raimund Dachselt
Technische Universität Dresden

Designing Sound Collaboratively - Perceptually Motivated Audio Synthesis

Niklas Klügel, Georg Groh, Timo Becker
Technische Universität München, Ludwig-Maximilians-Universität München

Repurposing Video Game Software for Musical Expression: A Perceptual Approach
Adriana Sa
Goldsmiths, University of London, Dep. Computing, EAVI

The Development Of Physical Spatial Controllers

Bridget Johnson, Michael Norris, Ajay Kapur
Victoria University of Wellington, New Zealand School of Music, California Institute of the Arts

Evaluating the Performance of a New Gestural Instrument Within an Ensemble

Alon Ilsar, Mark Havryliv, Andrew Johnston
University of Technology, Sydney, The Australian Institute of Music, University of Technology Sydney

Extending the Nexus Data Exchange Format (NDEF) Specification

Lawrence Fyfe, Adam Tindale, Sheelagh Carpendale
University of Calgary, OCAD University

Operating Sound Parameters Using Markov Model and Bayesian Filters in Automated Music Performance

Fumito Hashimoto and Motoki Miura
Kyushu Institute of Technology

The Talking Guitar: Headstock Tracking and Mapping Strategies

Liam Donovan and Andrew McPherson
Queen Mary, University of London

Algorave: A survey of the history, aesthetics and technology of live performance of algorithmic electronic dance music

Nick Collins and Alex McLean
University of Durham, University of Leeds

Design and Evaluation of a Gesture Controlled Singing Voice Installation
Cornelius Poepel, Jochen Feitsch, Marco Strobel, Christian Geiger
University of Applied Sciences Düsseldorf and University of Applied Sciences Ansbach

SynthAssist: Querying an Audio Synthesizer by Vocal Imitation
Mark Cartwright and Bryan Pardo
Northwestern University

TAPIR Sound Tag: An Enhanced Sonic Communication Framework for Audience Participatory Performance

Jimin Jeon, Gunho Chae, Edward Jangwon Lee, Woon Seung Yeo
Korea Advanced Institute of Science and Technology, KAIST

Lessons Learned in Exploring the Leap Motion(TM) Sensor for Gesture-based Instrument Design
Jihyun Han and Nicolas Gold
University College London

Twkyr: a Multitouch Waveform Looper
Karl Yerkes and Matthew Wright
Media Arts and Technology Program at University of California, Santa Barbara, UCSB

YouHero - Making an Expressive Concert Instrument from the GuitarHero Controller
Palle Dahlstedt, Patrik Karlsson, Katarina Widell, Tony Blomdahl
University of Gothenburg, freelance guitarist and lutenist, duo EN.D.E., freelance musician, duo EN.D.E., Geiger Music

Quick Live Coding Collaboration In The Web Browser
Chad McKinney
University of Sussex

endo/exo - Making Art and Music with Distributed Computing
Jiffer Harriman, Michael Theodore, Nikolaus Correll, Hunter Ewen
University of Colorado, University of Colorado at Boulder

A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning
Navid Navab, Doug Van Nort, Sha Xin Wei
Topological Media Lab, Concordia University, Concordia University

The Siren Organ
Regina Collecchia, Dan Somen, Kevin McElroy
Stanford University

Internally Actuated Drums for Expressive Performance
David Rector and Spencer Topel
Dartmouth College

AlphaSphere - from Prototype to Product
Adam Place, Liam Lacey, Thomas Mitchell
nu desine, University of the West of England, Bristol, UK

WIJAM: A Mobile Collaborative Improvisation Platform under Master-players Paradigm
Junqi Deng, Francis Chi Moon Lau, Ho-Cheung Ng, Yu-Kwong Kwok, Hung-Kwan Chen, Yu-heng Liu
The University of Hong Kong

You’ll Never Walk Alone: Composing Location-Based Soundtracks
Adrian Hazzard, Steve Benford, Gary Burnett
University of Nottingham


Alessandro Altavilla

Postgraduate Student (MPhil/PhD), Goldsmiths, University of London

Marco Donnarumma

Co-Founder, Xth
Italian-born Marco Donnarumma is a performer, musician and writer based in London. He explores the dimensions of the human body in relation to real, virtual and cultural spaces through performances, concerts and installations. In his works, sound, machines and biology are configured... Read More →

avatar for Julie Akerly

Julie Akerly

No Matter Where You Go, That's Where You Are Julie Akerly is the co-director of artist residency space, [nueBOX], founder of Phoenix Dance Observer, artistic director of J.A.M. (Julie Akerly Movement), and dancer with Jordan Daniels Dance. She received an MFA in Dance and Interdisciplinary... Read More →

Mark Cartwright

Research Assistant, Northwestern University
My research interests include the creation of new tools for audio and music production that support creativity in novices by allowing natural communication of audio concepts.

Nick Collins

Nick Collins is Reader in Composition at Durham University. His research interests include live computer music, musical artificial intelligence, and computational musicology, and he is a frequent international performer as composer-programmer-pianist, from algoraves to electronic... Read More →
avatar for Nikolaus Correll

Nikolaus Correll

CTO, Robotic Materials Inc.
avatar for Palle Dahlstedt

Palle Dahlstedt

University of Gothenburg, Aalborg University
Palle Dahlstedt (b.1971), Swedish improviser, researcher, and composer of  everything from chamber and orchestral music to interactive and  autonomous computer pieces, receiving the Gaudeamus Music Prize in 2001. Currently Obel Professor of Art & Technology at Aalborg University... Read More →

Francis Faber

la grande fabrique
Francis Faber composes, plays and teaches electronic music.  As a composer, he is focusing on real time electronic music and works with Percussions de Strasbourg, Ars Nova, TM+, Puce Muse, Musique Nouvelle, Art Zoyd, Ensemble Orchestral Contemporain…, and for live multimedia, installations... Read More →
avatar for Adrian Hazzard

Adrian Hazzard

PhD Candidate, University of Nottingham
Adrian is a composer, musician, educator and a PhD candidate, working in the Mixed Reality Lab, University of Nottingham, UK. His work explores location based music, and in particular using the core components of music - such as melody, harmony, rhythm and timbre - to structure the... Read More →
avatar for Alon Ilsar

Alon Ilsar

Alon Ilsar, Mutensils
Alon Ilsar is an Australian drummer, composer, sound designer and instrument designer. He is co-designer of a new interface for electronic percussionists, the AirSticks. His diverse projects include Belvoir Theatre’s ‘Keating! the Musical,’ Sydney Theatre Company’s ‘Mojo... Read More →

Andrew Johnston

Andrew is a researcher, interaction/software designer and musician based at the University of Technology Sydney (UTS). He has qualifications in music performance and computing and a PhD combining the two. As a musician he has performed professionally with several Australian symphony... Read More →
avatar for Ziemianin, Kacper

Ziemianin, Kacper

owner, Kac Pro
I like weird stuff ;-)

Ajay Kapur

Associate Dean of Research and Development in Digital Arts, California Institute of the Arts
avatar for Liam Lacey

Liam Lacey

Software Developer, nu desine
Music. Computers. Innovation. I develop software for the AlphaSphere. https://www.youtube.com/watch?v=YVyYkMmgaJs I also write and produce music when I have time. http://liamtmlacey.tumblr.com http://www.alphasphere.com http://liamtmlacey.blogspot.com http://www.sou... Read More →
avatar for Edward Jangwon Lee

Edward Jangwon Lee

PhD Candidate, KAIST

Otso Lähdeoja

University of the Arts, Sibelius Academy|Helsinki||Finland

Tom Mays

Composer, Teacher, Conservatoire de Strasbourg, Conservatoire de Paris
Tom Mays is a composer and computer musician. His works include electroacoustic pieces, instruments with electronics, music for dance, theater, interactive installation and film. He is currently working on the suite “The Well-tempered Patch” for basic real time processing and... Read More →

Alex McLean

I am a research fellow and deputy director of ICSRiM (the Interdisciplinary Centre for Scientific Research in Music) in Leeds. http://yaxu.org/

Andrew McPherson

Lecturer in Digital Media, Queen Mary University of London
Andrew McPherson is an electronic engineer, composer and instrument designer. His research focuses on augmented acoustic instruments and new performance interfaces which build on traditional instrumental training. Recent projects include the magnetic resonator piano (electromagnetically-augmented... Read More →

Thomas Mitchell

Software Engineer / Associate Professor, MI·MU / University of the West of England, Bristol

Tim Murray-Browne

Researcher & Artist, Queen Mary University of London
I'm a research assistant at the Centre for Digital Music creating Harmonic Motion, software designed to make it easier to analyse movement data and draw out musical features. I'm also an artist working with interactive sound. I recently completed an interactive sound installation... Read More →
avatar for Navid Navab

Navid Navab

Véritable alchimiste des médias, le Montréalais Navid Navab est à la fois compositeur, artiste, programmeur et designer sonore.

Bryan Pardo

Professor, Northwestern University
audio production tools interfaces that learn signal processing playing the clarinet jazz maqam

Adam Place

CEO, nu desine
Commercialising NIME's AlphaSphere, BetaLoop, Gamma..?..,

Sha Xin Wei

Director, School of Arts, Media and Engineering, ASU
philosophy of technology, sound art, sound studies, responsive environments, topological dynamical system; quality vs quantity, measurement and quantum mechanics; ecology of practices, atelier-lab. http://topologicalmedialab.net http://synthesis.ame.asu.edu
avatar for Karl Yerkes

Karl Yerkes

Lecturer, University of California
I'm a hacker working on interactive and distributed audiovisual systems. I teach and direct an electroacoustic ensemble focus on new interfaces for musical expression. I was an artist in residence at the SETI institute.

Wednesday July 2, 2014 16:30 - 17:30 BST
New Academic Building: Room 314

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