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Thursday, July 3 • 15:00 - 16:00

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CHIMAERA - the poly-magneto-phonic theremin - an expressive touch-less hall-effect sensor array
Hanspeter Portner
Open Music Kontrollers

Collaborative Live-Coding with an Immersive Instrument
Graham Wakefield, Charlie Roberts, Matthew Wright, Timothy Wood, Karl Yerkes
KAIST, UC Santa Barbara, UCSB, University of California Santa Barbara, Media Arts and Technology Program at University of California, Santa Barbara

Composing for DMIs - Entoa, a dedicate piece for Intonaspacio
Clayton Mamedes, Mailis Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira-Lopes

Conducting collective instruments : A case study
Josep Comajuncosas and Enric Guaus
Escola Superior de Musica de Catalunya

Conductive Music: Teaching Innovative Interface Design and Composition Techniques with Open-Source Hardware
Enrico Bertelli and Emily Robertson
Queen's University Belfast

Controlling Physically Based Virtual Musical Instruments Using The Gloves
Stefania Serafin, Stefano Stereo, Tom Mitchell, Francesco Grani, Seb Madgwick, Hannah Perner-Wilson
Aalborg University Copenhagen, Bristol University, X-IO, Plusea

Designing Mappings for the Sponge: Towards Spongistic Music
Martin Marier
Université de Montréal

Designing Sound for Recreation and Well-Being
Anders-Petter Andersson, Birgitta Cappelen, Fredrik Olofsson
The Oslo School of Architecture and Design

Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET)
Sang Won Lee, Georg Essl, Z. Morley Mao
University of Michigan

El-Lamellophone - A Low-cost, DIY, Open Framework for Acoustic Lemellophone Based Hyperinstruments
Shawn Trail
University of Victoria

Gesture and Embodied Metaphor in Spatial Music Performance Systems Design.
Ricky Graham and Brian Bridges
Stevens Institute of Technology, University of Ulster

Improvasher: a real-time mashup system for live musical input
Matthew Davies, Adam Stark, Masataka Goto, Fabien Gouyon
INESC TEC, Independent, National Institute of Advanced Industrial Science and Technology (AIST)

In A State: Live Emotion Detection and Visualisation for Music Performance
Adinda van 't Klooster and Nick Collins
University of Durham

Musical composition by regressional mapping of physiological responses to acoustic features
Valtteri Wikström
Aalto University and Helsinki University

Notation, mapping and composition for the Karlax
Tom Mays and francis faber
Académie Supérieur de Musique de Strasbourg, La Grande Fabrique

Polus: The Design and Development of a New, Mechanically Bowed String Instrument Ensemble
Blake Johnston, Henry Dengate Thrush, Tane Moleta, Jim Murphy, Ajay Kapur
Victoria University of Wellington,

Reunion2012: A novel interface for sound producing actions through the game of chess
Magnus Bugge, Hans Wilmers, Anders Tveit, Notto Thelle, Thom Johansen, Eskil Muan Sæther
Norwegian Centre for Technology in Music and the Arts

Robot: Tune Yourself! Automatic Tuning for Musical Robotics
Jim Murphy, Paul Mathews, Dale Carnegie, Ajay Kapur
Victoria University of Wellington, California Institute of the Arts

Sketch-Based Musical Composition and Performance
Haojing Diao, Yanchao Zhou, Christopher Andrew Harte, Nick Bryan-Kinns
Queen Mary University of London, Queen Mary University of London - Beijing University of Posts and Telecommunications

Smartphone-based Music conducting
Yang Kyu Lim and Woon Seung Yeo

SOUND TOSSING Audio Devices in the Context of Street Art
Reinhard Gupfinger, Martin Kaltenbrunner
Kunstuniversität Linz, Interface Culture, Austria

The Birl: An Electronic Wind Instrument Based on an Artificial Neural Network Parameter Mapping Structure
Jeff Snyder and Danny Ryan
Princeton University

The Manipuller II: Strings within a Force Sensing Ring
Adrian Barenca and Milos Corak
Music Technologist, Software Developer

The Space Between Us. A live performance with musical score generated via emotional levels measured in EEG of one performer and an audience member
Joel Eaton, Weiwei Jin, Eduardo Miranda
University of Plymouth, De Montfort University

Unsounding Objects: Audio Feature for Control of Sound Synthesis in a Digital Percussion Instrument
Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo Wanderley, Philippe Leroux, Fabrice Marandola
McGill University

Use of Body Motion to Enhance Traditional Musical Instruments
Federico Visi, Rodrigo Schramm, Eduardo Miranda
Plymouth University, UFRGS

Visualizing Gestures in the Control of a Digital Musical Instrument
Olivier Perrotin and Christophe d'Alessandro

LIMSI-CNRS, Université Paris-Sud


Alessandro Altavilla

Postgraduate Student (MPhil/PhD), Goldsmiths, University of London

Marco Donnarumma

Co-Founder, Xth
Italian-born Marco Donnarumma is a performer, musician and writer based in London. He explores the dimensions of the human body in relation to real, virtual and cultural spaces through performances, concerts and installations. In his works, sound, machines and biology are configured... Read More →

avatar for Anders-Petter Andersson

Anders-Petter Andersson

Researcher/Postdoc, The Oslo School of Architecture and Design/Kristianstad University
Anders-Petter Andersson is a researcher in the RHYME.no project at the Oslo School of Architecture and Design, funded by the Norwegian Research Council (2011-2016). He is a postdoctoral researcher in Interactive Music Technology for Health at Kristianstad University in Sweden. He... Read More →

Preston Beebe

Preston Beebe (United States, born 1988) Montréal based composer and percussionist, Preston Beebe uses electronics and technology for both performance and composition. He develops interfaces for visual feedback to aid in live-electronic performances and is a co-developer of the... Read More →

Magnus Bugge

Producer, Norwegian Centre for Technology in Music in

Nick Collins

Nick Collins is Reader in Composition at Durham University. His research interests include live computer music, musical artificial intelligence, and computational musicology, and he is a frequent international performer as composer-programmer-pianist, from algoraves to electronic... Read More →

Paulo Ferreira-Lopes

Assistant Professor, School of Arts
avatar for Masataka Goto

Masataka Goto

Prime Senior Researcher, National Institute of Advanced Industrial Science and Technology (AIST)
Dr. Masataka Goto is a Prime Senior Researcher and the Leader of the Media Interaction Group at the National Institute of Advanced Industrial Science and Technology (AIST), Japan. In 1992 he was one of the first to start work on automatic music understanding, and has since been at the forefront of... Read More →
avatar for Ricky Graham

Ricky Graham

Assistant Professor of Music and Technology, Stevens Institute of Technology
I'm currently an Assistant Professor at Stevens Institute of Technology in Hoboken, NJ. I'm transitioning to music industry in August (Nashville). I'm performing a piece with a visual artist on Tuesday evening, giving a paper on feature recognition for electric guitar on Tuesday... Read More →

Zachary Hale

CIRMMT, McGill University
Zachary Hale is a Florida-born, Montreal-based composer and percussionist who creates and performs music that deals with live-electronics and new interfaces. His interest lies in the possibilities when the performer and technician are one in the same, and also bridging the gap between... Read More →

Ian Hattwick

Ian Hattwick (Instrument Design) is a composer, performer, and digital musical instrument designer. His current research focuses on collaborative approaches to music performance using gestural interfaces. In 2013 he co-created the Prosthetic Instruments, family of gestural controllers... Read More →

Murphy, Jim

Victoria University of Wellington|Wellington||New Zealand

Ajay Kapur

Associate Dean of Research and Development in Digital Arts, California Institute of the Arts

Adinda van 't Klooster

Director, Art and Media
Dr. Adinda van ‘t Klooster is an artist who works with drawing, sound, light, animation, sculpture and interactive technology. Her work has been exhibited, performed and screened in China, the USA, Australia, Spain, the UK, the Netherlands, Slovenia and Norway. During her PhD with... Read More →
avatar for Sang Won Lee

Sang Won Lee

PhD Candidate., University of Michigan|Ann Arbor|Michigan|United States

Philippe Leroux

Philippe Leroux was born in Boulogne Billancourt (France) on september 24th, 1959. In 1978 he entered the Paris Conservatory (Conservatoire National Supérieur de Musique), studied with Ivo Malec, Claude Ballif, Pierre Schäeffer and Guy Reibel and obtained three first prizes. Meanwhile... Read More →

Clayton Mamedes

Composer and sound artist.

Martin Marier

Martin Marier is a composer and a performer who is mainly interested in live electronic music using new interfaces.  He is the inventor of the sponge, a cushion like musical interface he uses to perform his pieces. The main goal of this approach is to establish a natural link between... Read More →

Eduardo Reck Miranda

University Of Plymouth

Thomas Mitchell

Software Engineer / Associate Professor, MI·MU / University of the West of England, Bristol

Tane Moleta

Victoria University of Wellington
avatar for Hanspeter Portner

Hanspeter Portner

Open Music Kontrollers
Independent open source hardware designer; interested in expressive, intuitive and improvized composition and novel designs of corresponding music controllers. Former computational biologist in the fields of environmental sciences (ecosystem modeling), neurosciences (neuroinformatics... Read More →
avatar for Charlie Roberts

Charlie Roberts

Assistant Professor, Worcester Polytechnic Institute
Charlie Roberts is an Assistant Professor of Computer Science at Worcester Polytechnic Institute, with an affiliation in the Interactive Media & Game Development program. His research examines human-centered computing in digital arts practice. He develops a family of creative coding... Read More →
avatar for Rodrigo Schramm

Rodrigo Schramm

Associate Professor, Federal University of Rio Grande do Sul
avatar for Stefania Serafin

Stefania Serafin

Aalborg University Copenhagen
avatar for Jeff Snyder

Jeff Snyder

Director of Electronic Music, Princeton University
Instrument designer, composer, improvisor.
avatar for Notto J.W. Thelle

Notto J.W. Thelle

Daglig leder, Notam
Notto J. W. Thelle er daglig leder i Notam, et ressurs- og kompetansesenter for nyskapende bruk av teknologi i musikk og kunst. Notam betjener i dag først og fremst de profesjonelle miljøene, men har vært involvert i utvikling og formidling av pedagogisk musikkprogramvare for barn... Read More →
avatar for Shawn Trail

Shawn Trail

Instructor of Music and Sonic Arts, Portland Community College
avatar for Federico Visi

Federico Visi

PhD research fellow, Plymouth University
avatar for Graham Wakefield

Graham Wakefield

Assistant Professor, York University
Graham Wakefield is Assistant Professor in the School of Arts, Media, Performance and Design at York University, Toronto, where he runs the Alice Lab for Computational Worldmaking. His research has evolved from computer music composition to the generation of open-ended immersive environments... Read More →

Marcelo Wanderley

Professor, McGill University
avatar for Karl Yerkes

Karl Yerkes

Lecturer, University of California
I'm a hacker working on interactive and distributed audiovisual systems. I teach and direct an electroacoustic ensemble focus on new interfaces for musical expression. I was an artist in residence at the SETI institute.

Thursday July 3, 2014 15:00 - 16:00 BST
New Academic Building: Room 314

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