CHIMAERA - the poly-magneto-phonic theremin - an expressive touch-less hall-effect sensor array
Hanspeter Portner
Open Music Kontrollers
Collaborative Live-Coding with an Immersive Instrument
Graham Wakefield, Charlie Roberts, Matthew Wright, Timothy Wood, Karl Yerkes
KAIST, UC Santa Barbara, UCSB, University of California Santa Barbara, Media Arts and Technology Program at University of California, Santa Barbara
Composing for DMIs - Entoa, a dedicate piece for Intonaspacio
Clayton Mamedes, Mailis Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira-Lopes
NICS-CIDDIC Unicamp, CIRMMT-IDMIL, CITAR UCP, CIRMMT-IDMIL, CIRMMT-IDMIL, NICS Unicamp, CIDDIC Unicamp, CITAR UCP
Conducting collective instruments : A case study
Josep Comajuncosas and Enric Guaus
Escola Superior de Musica de Catalunya
Conductive Music: Teaching Innovative Interface Design and Composition Techniques with Open-Source Hardware
Enrico Bertelli and Emily Robertson
Queen's University Belfast
Controlling Physically Based Virtual Musical Instruments Using The Gloves
Stefania Serafin, Stefano Stereo, Tom Mitchell, Francesco Grani, Seb Madgwick, Hannah Perner-Wilson
Aalborg University Copenhagen, Bristol University, X-IO, Plusea
Designing Mappings for the Sponge: Towards Spongistic Music
Martin Marier
Université de Montréal
Designing Sound for Recreation and Well-Being
Anders-Petter Andersson, Birgitta Cappelen, Fredrik Olofsson
The Oslo School of Architecture and Design
Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET)
Sang Won Lee, Georg Essl, Z. Morley Mao
University of Michigan
El-Lamellophone - A Low-cost, DIY, Open Framework for Acoustic Lemellophone Based Hyperinstruments
Shawn Trail
University of Victoria
Gesture and Embodied Metaphor in Spatial Music Performance Systems Design.
Ricky Graham and Brian Bridges
Stevens Institute of Technology, University of Ulster
Improvasher: a real-time mashup system for live musical input
Matthew Davies, Adam Stark, Masataka Goto, Fabien Gouyon
INESC TEC, Independent, National Institute of Advanced Industrial Science and Technology (AIST)
In A State: Live Emotion Detection and Visualisation for Music Performance
Adinda van 't Klooster and Nick Collins
University of Durham
Musical composition by regressional mapping of physiological responses to acoustic features
Valtteri Wikström
Aalto University and Helsinki University
Notation, mapping and composition for the Karlax
Tom Mays and francis faber
Académie Supérieur de Musique de Strasbourg, La Grande Fabrique
Polus: The Design and Development of a New, Mechanically Bowed String Instrument Ensemble
Blake Johnston, Henry Dengate Thrush, Tane Moleta, Jim Murphy, Ajay Kapur
Victoria University of Wellington,
Reunion2012: A novel interface for sound producing actions through the game of chess
Magnus Bugge, Hans Wilmers, Anders Tveit, Notto Thelle, Thom Johansen, Eskil Muan Sæther
Norwegian Centre for Technology in Music and the Arts
Robot: Tune Yourself! Automatic Tuning for Musical Robotics
Jim Murphy, Paul Mathews, Dale Carnegie, Ajay Kapur
Victoria University of Wellington, California Institute of the Arts
Sketch-Based Musical Composition and Performance
Haojing Diao, Yanchao Zhou, Christopher Andrew Harte, Nick Bryan-Kinns
Queen Mary University of London, Queen Mary University of London - Beijing University of Posts and Telecommunications
Smartphone-based Music conducting
Yang Kyu Lim and Woon Seung Yeo
KAIST
SOUND TOSSING Audio Devices in the Context of Street Art
Reinhard Gupfinger, Martin Kaltenbrunner
Kunstuniversität Linz, Interface Culture, Austria
The Birl: An Electronic Wind Instrument Based on an Artificial Neural Network Parameter Mapping Structure
Jeff Snyder and Danny Ryan
Princeton University
The Manipuller II: Strings within a Force Sensing Ring
Adrian Barenca and Milos Corak
Music Technologist, Software Developer
The Space Between Us. A live performance with musical score generated via emotional levels measured in EEG of one performer and an audience member
Joel Eaton, Weiwei Jin, Eduardo Miranda
University of Plymouth, De Montfort University
Unsounding Objects: Audio Feature for Control of Sound Synthesis in a Digital Percussion Instrument
Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo Wanderley, Philippe Leroux, Fabrice Marandola
McGill University
Use of Body Motion to Enhance Traditional Musical Instruments
Federico Visi, Rodrigo Schramm, Eduardo Miranda
Plymouth University, UFRGS
Visualizing Gestures in the Control of a Digital Musical Instrument
Olivier Perrotin and Christophe d'Alessandro
LIMSI-CNRS, Université Paris-Sud
