Separation: Short Range Repulsion. Implementation of an automated aesthetic synchronization system for a dance performance.
Michael Krzyzaniak, Julie Akerly, Matthew Mosher, Muharrem Yildirim
School of Arts, Media + Engineering, Arizona State University
Notation, mapping and composition for the Karlax
Tom Mays and Francis Faber
Académie Supérieur de Musique de Strasbourg, La Grande Fabrique
The Cave of Sounds: An interactive installation exploring how we create music together
Tim Murray-Browne, Dom Aversano, Susanna Garcia, Wallace Hobbes, Daniel Lopez, Tadeo Sendon, Panagiotis Tigas, Kacper Ziemianin, Duncan Chapman
Queen Mary University of London, Music Hackspace, Sound and Music
OSC-Namespace and OSC-State: schemata for describing the namespace and state of OSC-enabled systems
Ilias Bergstrom and Joan Llobera
Fondation Agalm, EventLAB, Universitat de Barcelona, Immersive Interaction Group, École Polytechnique Fédérale de Lausanne
Chronicles of a Robotic Musical Companion
Mason Bretan and Gil Weinberg
Georgia Institute of Technology
Structure-borne Sound and Aurally Active Spaces
Otso Lähdeoja
University of the Arts, Helsinki
TouchNoise: A Particle-based Multitouch Noise Modulation Interface
Axel Berndt, Nadia Al-Kassab, Raimund Dachselt
Technische Universität Dresden
Designing Sound Collaboratively - Perceptually Motivated Audio Synthesis
Niklas Klügel, Georg Groh, Timo Becker
Technische Universität München, Ludwig-Maximilians-Universität München
Repurposing Video Game Software for Musical Expression: A Perceptual Approach
Adriana Sa
Goldsmiths, University of London, Dep. Computing, EAVI
The Development Of Physical Spatial Controllers
Bridget Johnson, Michael Norris, Ajay Kapur
Victoria University of Wellington, New Zealand School of Music, California Institute of the Arts
Evaluating the Performance of a New Gestural Instrument Within an Ensemble
Alon Ilsar, Mark Havryliv, Andrew Johnston
University of Technology, Sydney, The Australian Institute of Music, University of Technology Sydney
Extending the Nexus Data Exchange Format (NDEF) Specification
Lawrence Fyfe, Adam Tindale, Sheelagh Carpendale
University of Calgary, OCAD University
Operating Sound Parameters Using Markov Model and Bayesian Filters in Automated Music Performance
Fumito Hashimoto and Motoki Miura
Kyushu Institute of Technology
The Talking Guitar: Headstock Tracking and Mapping Strategies
Liam Donovan and Andrew McPherson
Queen Mary, University of London
Algorave: A survey of the history, aesthetics and technology of live performance of algorithmic electronic dance music
Nick Collins and Alex McLean
University of Durham, University of Leeds
Design and Evaluation of a Gesture Controlled Singing Voice Installation
Cornelius Poepel, Jochen Feitsch, Marco Strobel, Christian Geiger
University of Applied Sciences Düsseldorf and University of Applied Sciences Ansbach
SynthAssist: Querying an Audio Synthesizer by Vocal Imitation
Mark Cartwright and Bryan Pardo
Northwestern University
TAPIR Sound Tag: An Enhanced Sonic Communication Framework for Audience Participatory Performance
Jimin Jeon, Gunho Chae, Edward Jangwon Lee, Woon Seung Yeo
Korea Advanced Institute of Science and Technology, KAIST
Lessons Learned in Exploring the Leap Motion(TM) Sensor for Gesture-based Instrument Design
Jihyun Han and Nicolas Gold
University College London
Twkyr: a Multitouch Waveform Looper
Karl Yerkes and Matthew Wright
Media Arts and Technology Program at University of California, Santa Barbara, UCSB
YouHero - Making an Expressive Concert Instrument from the GuitarHero Controller
Palle Dahlstedt, Patrik Karlsson, Katarina Widell, Tony Blomdahl
University of Gothenburg, freelance guitarist and lutenist, duo EN.D.E., freelance musician, duo EN.D.E., Geiger Music
Quick Live Coding Collaboration In The Web Browser
Chad McKinney
University of Sussex
endo/exo - Making Art and Music with Distributed Computing
Jiffer Harriman, Michael Theodore, Nikolaus Correll, Hunter Ewen
University of Colorado, University of Colorado at Boulder
A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning
Navid Navab, Doug Van Nort, Sha Xin Wei
Topological Media Lab, Concordia University, Concordia University
The Siren Organ
Regina Collecchia, Dan Somen, Kevin McElroy
Stanford University
Internally Actuated Drums for Expressive Performance
David Rector and Spencer Topel
Dartmouth College
AlphaSphere - from Prototype to Product
Adam Place, Liam Lacey, Thomas Mitchell
nu desine, University of the West of England, Bristol, UK
WIJAM: A Mobile Collaborative Improvisation Platform under Master-players Paradigm
Junqi Deng, Francis Chi Moon Lau, Ho-Cheung Ng, Yu-Kwong Kwok, Hung-Kwan Chen, Yu-heng Liu
The University of Hong Kong
You’ll Never Walk Alone: Composing Location-Based Soundtracks
Adrian Hazzard, Steve Benford, Gary Burnett
University of Nottingham
